Lakshmana Temple in Khajuraho

¤ Well-Preserved Stone Temple of Khajuraho

To the left of the entrance a path takes you up to the famous Lakshmana Temple, a grand edifice that stands on a high platform. It is dedicated to Lord Vishnu – the preserver of the Hindu Trinity of Gods. If you are one of those who realise after coming all the way here that you won’t be able to walk so much, take heart – this temple alone will make your trip.

Dating from 930-950 AD it is one of earliest Khajuraho stone temples going in Khajuraho. Considering its age, the Lakshmana Temple is remarkably well-preserved; in fact it is one of the best preserved temples of the whole lot.

According to the inscription on the Lakshmana Khajuraho Stone Temple, it was built by a certain King Yasovarman to install a Vaikuntha-Vishnu image (which can still be seen here) gifted to him by his Pratihara overlord, Devapala. The image was brought originally from Tibet (or Bhosa as it was known then), where the cult of worshipping Vishnu in his Vaikuntha (the multi-headed Vishnu) avatar was popular.


¤ The Exclusive Carving of Khajuraho Stone Temple

The outer wall of the Lakshmana stone Temple in Khajuraho is exquisitely carved – indeed every inch of space bears the mark of the sculptor’s artistic flight of fantasy. In front of it are two open pavilions or mandapas.

The one furthest to the south is the Varaha mandapa with a huge image of the standing Varaha (the boar incarnation of Vishnu), the preserver who rescued the earth from primeval floods (the ones that Noah sailed too, one presumes).

The entire body of the divine creature is carved in low relief along with the figures of more than 600 gods and goddesses of the Hindu pantheon. Besides the Varaha mandapa is a reconstructed Devi mandapa which once contained an image.

¤ The Sculptures

The platform that the temple stands on has a charming sculptural frieze of elephants and horsemen in procession. On the southern side are a few of the more explicitly erotic panels. Climbing the stairs one reaches the broad platform of the temple meant for the ritual pradakshina or circumambulation.

It is noteworthy in having a boundary railing and a subsidiary shrine in each corner. The most delectable part of the Khajuraho stone temple scheme is the bands of sculptural decoration with exquisite figures of apsaras (celestial courtesans/nymphs), the guardians of the directions and other divine creatures. Erotic panels take a central position on the two balconies of the stone temple. On the western side are a few outstanding sculptures and the voluptuous, curvaceous forms of nude women with ornate jewellery.

The Khajuraho stone temple faces east and a steep flight of stairs leads up to the inner sanctum placed high above ground level. There is an entrance porch, a hall of pillars and interesting sculptural motifs on the sidewall. The inner ritual passage winds around the sanctum and is dressed with bands of sculpture in imitation of the temple’s external wall. The deity’s alcove is raised above floor level and contains within its dark interiors a large image of the Vaikuntha Vishnu, bearing three heads representing his various incarnations.